Graphic

Discover 745 award-winning designs tagged Graphic on DZGN.

Designer: HE LIU Work: Corporate Identity Classification: Graphic

Tibet Shannan

Tibet Shannan project aimed at promoting the tourism industry in Shannan. By creating a representative logo to extend the impression of the city through systematic products and tourist guides. The inspiration for the logo is drawn from the features of Shannan and simplified into symbols through contemporary art. The logo itself is versatile and scalable, able to seamlessly integrate into different products. This work hopes to bring a positive and interesting energy to the audience, better meeting the needs of the modern market and helping this ancient city showcase its diverse aspects.

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Designer: Shenzhen Lightcone Design Co., Ltd. Work: Visual Design Classification: Graphic

The Fulcrum

The Fulcrum is a visual identity system created for a design company. The system is inspired by the light cone, a spacetime model in physics, and by the gyroscope. The gyroscope symbolizes inner steadiness, while the light cone suggests broad creative possibilities. A color scheme of black, white, and red is used, where black stands for logical thinking, white for pure design, and red for passion. An accompanying poster series is produced with a three-dimensional spray painting process to create layered graphics. Each poster measures 1000 mm in width and 1800 mm in height.

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Designer: Jessica Yang Work: Branding Classification: Graphic

Artsmuzeum

ArtsMuzeum is a brand identity created for an online gift shop that sells art related products. The identity links historical art with modern life. The logo pairs gothic yet bold letterforms with a squared frame that appears to continue without end. The name is shortened and arranged in creative blocks, and the letters are composed as a single graphic pattern built from positive and negative space. The concise and solid design is applied to the website, stationery and promotional materials.

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Designer: Mtc Brand Consultancy Work: Brand Identity Classification: Graphic

Dragonpass

Dragonpass is a brand identity designed for a membership benefit and travel services provider. The new symbol combines the trace of a magic wand with the initial letter D, forming a dynamic mark that crosses several dimensions. The original red palette is extended with purple and further tones to give the identity a more fashionable character. Auxiliary graphics add flexibility across applications. The simplified visual system replaces an aging emblem and supports a more international brand image.

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Designer: Xiaoshu Zhou Work: Illustration Classification: Graphic

Intangible Heritage

Intangible Heritage is a series of three illustrations about the intangible cultural heritage of China. The illustrations present Pipa art, Longquan celadon and the Zigong Lantern Festival. Each image is drawn with vector design software, so fine details remain sharp at large print sizes. The printed sheets measure 800 by 800 millimeters. Traditional subjects are translated into a modern visual language for use online, in print media, books and photo albums. The intent is to help the public learn about these traditions.

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Designer: Wing Sze Wincy Kung Work: Architectural Narrative Illustration Classification: Graphic

Bamboo Craft Festival

In response to the sweeping urbanization of Hong Kong and the resulting loss of its cultural diversity, A Bamboo Craft Festival is designed with vast elevated temporary bamboo platforms and structures, creating an urban spatial celebration to preserve and revitalize the local street life cultures, traditions, and craftsmanships. The festival takes place annually and aims to engage the public to experience and explore local street cultures and craftsmanship through workshops and performances, embodying the spirit of Hong Kong.

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Designer: Ruud Winder Work: Corporate Identity Classification: Graphic

Animated Koopmans Logo System

Koopmans asked Rebrandt to communicate the breadth of the range more clearly. The word "print shop" no longer represents what they do. This new ID is therefore not only an aesthetically appealing design language but also a strategic marketing instrument that communicates the wide range of products they can offer. Ruud Winder, head of design Rebrandt, wanted the dynamic working attitude of the organization to be reflected in the designs. The movement contrasts with the supposed stillness of a print company, precisely that breadth had to be emphasized.

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Designer: ChungSheng Chen Work: Branding and Character IP Project Classification: Graphic

PatchU

PatchU is a branding and character design project that turns leftover bedding fabrics into plush toys and lifestyle accessories. The fabrics are sorted by size, texture and tone, then sewn into simple companion figures using flexible patterns. Visible stitching and patchwork are kept as part of the brand identity, so each piece differs slightly from the next. Packaging and illustration explain the origin of the materials. The aim is to give surplus textiles new value and a warm place in everyday life.

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Designer: TANG-HSUAN LIEN Work: Visual Image Design Exhibition Classification: Graphic

Virtual and Reality

Virtual and Reality is a visual image design exhibition that interprets the process of design creation. The title joins two opposite words to reflect the conflict between abstraction and reality. Font strokes are dismantled, and the tools used in design form the structure of the letters. The series includes posters, cards, notebooks, stationery, direct mail and packaging. All items are printed in two special colors, and the applied methods include embossing, local glazing and origami folding. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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Designer: Roozbeh Mashhadi Zadeh Work: Visual Identity Design Classification: Graphic

Altavita

The Altavita Visual Branding project employs an isometric geometric form inspired by architectural drawings to symbolize transition and invitation. The design reflects architectural depth while maintaining clarity and simplicity. A vertical composition emphasizes balance and proportion, while the red, black and gray palette communicates strength, precision and neutrality. The identity extends to stationery, packaging and digital media, ensuring consistency across applications and delivering a timeless professional presence with minimal expression.

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Designer: Yuta Takahashi Work: Skincare Brand Classification: Graphic

To Beauty

To Beauty is a skincare brand identity and packaging design inspired by the cosmos and by meditative experience. The identity uses a gray color palette and an organic symbol that expresses the pulse of life. The facial cleanser has a specially structured screw nozzle that releases dense foam with a single push, which keeps its elasticity and reduces skin irritation from friction. The eyelash serum uses an airless container that is hygienic and free of preservatives. The caps join a hard exterior and a soft interior, with a grained surface and an engraved symbol.

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Designer: Gu Jin Work: Logo Design Classification: Graphic

Gensyn Intellectual Property

Gensyn Intellectual Property is a logo created for an intellectual property consulting company. The mark is abstractly developed from the letter G, the initial of the company name. The form is composed of a left and a right abstract single quotation mark, which refer to clear communication and consultation between the company and its clients. The overall shape also recalls a shield, indicating the protection of intellectual property. The outline follows that of a traditional Chinese seal. Blue is used to suggest steady development.

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